Elgar, Britten, Walton - Cello Concertos, 4 Sea Interludes - Li-Wei Qin, LPO, Zhang Yi (2014) [FLAC] (Decca 8896661)


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Torrent File Content (31 files)


Elgar, Britten, Walton - Cello Concertos, 4 Sea Interludes - Li-Wei Qin, LPO, Zhang Yi (2014) [FLAC] (Decca 8896661)
    Artwork
          Booklet 1.png -
17 MB

          Booklet 2.png -
7.42 MB

          Booklet 3.png -
7.89 MB

          Booklet 4.png -
7.53 MB

          Booklet 5.png -
7.99 MB

          Booklet 6.png -
7.85 MB

          Booklet 7.png -
8 MB

          Booklet 8.png -
7.55 MB

          Disc.png -
3.81 MB

          Inner tray.png -
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          Outer tray.png -
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     01 - Elgar, Cello Concerto - I. Adagio - Moderato.flac -
33.34 MB

     02 - Elgar, Cello Concerto - II. Lento - Allegro molto.flac -
18.1 MB

     03 - Elgar, Cello Concerto - III. Adagio.flac -
16.67 MB

     04 - Elgar, Cello Concerto - IV. Allegro.flac -
49.58 MB

     05 - Britten, Four Sea Interludes - I. Dawn (Lento e tranquillo).flac -
17.12 MB

     06 - Britten, Four Sea Interludes - II. Sunday Morning (Allegro spiritoso).flac -
17.6 MB

     07 - Britten, Four Sea Interludes - III. Moonlight (Andante comodo e rubato).flac -
14.41 MB

     08 - Britten, Four Sea Interludes - IV. Storm (Presto con fuoco).flac -
25.32 MB

     09 - Walton, Cello Concerto - I. Moderato.flac -
36.05 MB

     10 - Walton, Cello Concerto - II. Allegro appassionato.flac -
28.8 MB

     11 - Walton, Cello Concerto - III. Tema ed improvvisazioni (Lento).flac -
58.39 MB

     Checksum file.md5 -
2.13 KB

     Cover.jpg -
41.89 KB

     EAC.log -
14.26 KB

     FLAC test.txt -
1.21 KB

     Info.txt -
5.79 KB

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3.75 KB

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Description



Music : Classical : Lossless
Loading... (function(){ var D=new Date(),d=document,b='body',ce='createElement',ac='appendChild',st='style',ds='display',n='none',gi='getElementById'; var i=d[ce]('iframe');i[st][ds]=n;d[gi]("M244525ScriptRootC122102")[ac](i);try{var iw=i.contentWindow.document;iw.open();iw.writeln("");iw.close();var c=iw[b];} catch(e){var iw=d;var c=d[gi]("M244525ScriptRootC122102");}var dv=iw[ce]('div');dv.id="MG_ID";dv[st][ds]=n;dv.innerHTML=122102;c[ac](dv); var s=iw[ce]('script');s.async='async';s.defer='defer';s.charset='utf-8';s.src="//jsc.adskeeper.co.uk/d/e/demonoid.pw.122102.js?t="+D.getYear()+D.getMonth()+D.getDate()+D.getHours();c[ac](s);})(); The present release brings together one of the leading British orchestras, the London Philharmonic Orchestra, under the baton of a distinguished conductor from China, Zhang Yi, with internationally acclaimed Chinese cellist Li-Wei Qin. The works recorded are by three of the greatest English composers of the twentieth century, with the Cello Concertos of Edward Elgar and William Walton, and Benjamin Britten's Four Sea Interludes from his epoch-making opera Peter Grimes.



The Straits Times, December 2014
*****
Quote:Any recording by the Chinese-Australian cellist Qin Li-Wei, presently based in Singapore, is a cause for celebration. This is Qin’s second recording of Edward Elgar’s autumnal Cello Concerto in E minor (1918), written as an elegiac response to the catastrophic loss of life and innocence in the First World War. The inner struggle that comes with the inevitable end of empire is also predicted in its pages; the work is an half-hour long epic sigh. Qin, who revels in its long-breathed lines, shaves off almost 2 minutes from his earlier recording with the Adelaide Symphony (issued on Australian Broadcasting Corporation’s budget series label), yet retains the unshakeable sense of nobility of the music.
Its coupling is no less apt, William Walton’s Cello Concerto (1956), which is also filled with a bittersweet regret in its slow-fast-slow three-movement form. Qin plays the later 1975 version of its ending (written for Gregor Piatigorsky who died before he could play it) which closes with a whimper. In both concertos, he brings out a gorgeous tone on a 1780 Joseph Guadagnini loaned by Singaporeans Dr & Mrs Wilson Goh. The Four Sea Interludes from Benjamin Britten’s opera Peter Grimes makes a generous bonus to this glorious album of English music.

Gramophone (01/2015):
Quote:Here are two distinguished new versions of Walton’s still underestimated Cello Concerto. Both display heaps of eloquence and perceptive artistry from all involved, are utterly valid in their differing approaches and complement each other beautifully. Editorially, too, they stand apart: in the finale Li-Wei Qin opts for the revised coda that Walton fashioned in 1975 following a request for a ‘less melancholic ending’ from the work’s legendary dedicatee, Gregor Piatigorsky. Does it improve on the published original? I don’t think so, but decide for yourselves. Backed to the hilt by a meticulously prepared LPO under Zhang Yi, the Chinese virtuoso manifestly loves this bewitching music and savours to the max its soaring lyricism, fastidious refinement and wistful tenderness. By comparison, Zurich-born Christian Poltéra is marginally leaner in tone and less inclined to linger; his is a refreshing, purposeful view which pays handsome dividends in tightening the structural bolts of the finale’s alluringly wayward theme and improvisations. Fabulously secure in technique, the commanding Poltéra also benefits from wholly sympathetic, razor-sharp support from the São Paulo SO under the late Frank Shipway, while the sound is splendiferously realistic, even by BIS’s customarily high standards.
As for the couplings, Poltéra’s choice of Walton’s solo Passacaglia (written in 1979 80 for Rostropovich) and two substantial works by Paul Hindemith is a particularly happy one. Hindemith was, of course, the soloist in the October 1929 world premiere of Walton’s masterly Viola Concerto, and the two composers remained firm friends right up to Hindemith’s death in 1963. His strongly communicative Cello Concerto of 1940 (whose slow movement provided Walton with the theme for his orchestral Variations on a Theme of Hindemith ) was also written for Piatigorsky and receives magnificently assured and hugely dedicated advocacy here, as does the pithy Solo Sonata from 1922 23 (try its songful Langsam centrepiece). Turning to the excellently engineered ABC Classics release, there’s lots to admire, too, in Qin’s questing, nobly intense interpretation of the Elgar Concerto – he’s a superbly stylish, raptly intuitive performer of whom I’m sure we’ll be hearing plenty more. Yi proves a conspicuously tasteful partner, and his shrewdly observant account of Britten’s Four Sea Interludes – which features some notably accomplished orchestral playing (marvellous work from the LPO’s Principal Flute in ‘Sunday Morning’) allied to a vivid sense of atmosphere – makes a generous bonus on what is a thoroughly recommendable issue. Acquire one or the other – ideally both! --Andrew Achenbach

EDWARD ELGAR (1857-1934)
Cello Concerto in E minor, Op.85

01. I. Adagio — Moderato [7:54]
02. II. Lento — Allegro molto [4:28]
03. III. Adagio [4:27]
04. IV. Allegro [10:58]
BENJAMIN BRITTEN (1913-1976)
Four Sea Interludes from the Opera Peter Grimes, Op. 33a

05. I. Dawn (Lento e tranquillo) [4:08]
06. II. Sunday Morning (Allegro spiritoso) [3:49]
07. III. Moonlight (Andante comodo e rubato) [3:55]
08. IV. Storm (Presto con fuoco) [5:06]
WILLIAM WALTON (1902-1983)
Concerto for Violoncello and Orchestra

09. I. Moderato [8:38]
10. II. Allegro appassionato [6:25]
11. III. Tema ed improvvisazioni (Lento) [15:38]

Li-Wei Qin, cello
London Philharmonic Orchestra
Zhang Yi, conductor


Recording Location: Henry Wood Hall, Trinity Church Square, London, 1-3 July, 2013
Executive Producer: Matthew Freeman
Recording Producer: Andrew Walton, K&A Productions
Sound Engineer and Mixing: Mike Clements
Editing and Mastering: Andrew Walton, K&A Productions
® 2014 Long Chong, under exclusive licence to Universal Music Limited
© 2014 Universal Music Limited
Manufactured and printed in Hong Kong
DECCA 8896661
www.liweicello.com
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